They want to haul it into the modern world. They do not want to leave their faith as I did. Yet after decades of the most barbaric violence committed in the name of their faith, some Muslims have had enough. Islamic reform is a minefield, as every Muslim who has ever hinted at the desirability of adapting scripture knows. They picked a woman as their heroine, after all. Nevertheless, the making of The Lady of Heaven should be seen as a milestone - a significant one, in my view – in the process of Muslim reformation. I doubt Yasser Al-Habib and I would find much common ground in the unlikely event of our meeting. Clearly, we are not talking here about secular liberals like Theo van Gogh, Flemming Rose or Charb. Al-Habib is a Kuwaiti cleric, a Twelver Shia who rejects the Iranian government’s pretensions to lead the Shia world, and the leader of the Mahdi Servants Union, a UK-based Shia group. One such cleric is Yasser Al-Habib, the author of the script for The Lady of Heaven. Most of these Muslim dissidents are reforming believers - among them clerics who have come to realise that their religion must change if its followers are not to be condemned to an interminable cycle of violence, intolerance and backwardness. There is, however, a third group of Muslim dissenters: the “modifying Muslims”, who know it is hopeless just to keep declaring that Islam is a “religion of peace”, in defiance of successive bouts of Islamist violence. More from this author Buffalo and the myth of racist America As a consequence, Mecca Muslims who can’t handle the dissonance either leave Islam, as I did, or, much more commonly, tacitly accept the dominance of the Medina Muslims. However, they shrink away from debating them, leaving the arena of winning hearts and minds to the radicals. The Mecca Muslims are repelled by the wanton violence of the Medina Muslims. Muslims of today who kill, terrorise and threaten while screaming “ Allahu Akbar” are replaying that script from Medina. A big spectacle was made of these brutal tactics. So they moved to Medina, where unbelievers were still invited to submit to the one God, Allah - but if they now refused, they were harassed, threatened, and murdered. However, after ten years of trying this kind of persuasion, Muhammad and his small band of believers had won over no more than 200 believers. Those Muslims of today who love tolerance, charity, and an acceptance of the other use as their moral reference the Muhammad of this period. In the early days of Islam, when Muhammad was going from door to door canvassing his idea of one God, he used the tool of persuasion through preaching to convert the Arab polytheists.
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All, without exception, know by heart these words: “I bear witness that there is no god but Allah and Muhammad is his messenger.”īut today there is a contest within Islam for the ownership of that credo and all it entails: Muhammad and his prophethood, his family, his book, and his moral code of practice. Despite some sectarian divisions - principally the ancient schism between Sunni and Shia - this creed unites all Muslims. Islam is a single core creed based on the Qur’an, the words revealed by the angel Gabriel to the Prophet Muhammad, and the Hadith, the accompanying works that detail Muhammad’s life and words. In my book Heretic, I argue that there are three sets of Muslims. More from this author How Texas can stop mass shootings It was enough to ignite the flames of Islamist intolerance: an 18-year-old Russian-Muslim refugee of Chechen origin beheaded Paty with a meat cleaver.
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It’s a lesson Samuel Paty was also forced to learn, after he showed Charlie Hebdo cartoons to his class in a Parisian suburb. This is a fatal caveat - as the staff at Charlie Hebdo discovered in 2015.
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Most were inclined to suggest that free speech did not include the right to offend religious believers. Few expressed uncompromising defences of free speech. They would issue condemnations of the violence, followed by silence. Most political and intellectual leaders in Europe were frightened. Yet in all three cases, the debate was hijacked by a minority of Muslims who were willing to use brutal force to terrorise society into silence - threatening infidels and blasphemers, plotting attacks, beheading people and blowing things up. On one side were those who believed Muslims should adapt to the places they now chose to call home the other side preached that we should exercise patience and compassion. In all three cases, the central concern was over how European countries should accommodate a Muslim minority in Europe without sacrificing freedom of speech. The controversy over The Lady of Heaven - a drama about the daughter of the prophet Muhammad, Fatimah - is the latest illustration of the extreme difficulty, not to say danger, of mixing art and Islam.